This will be a very short entry, but I just wanted to add about using the element of surprise to keep the soundscape somewhat fresh.

Throughout the entirety of the soundscape I have used elements which I have and am going to continue to bleed in and out. Such as kicks vocal textures, ambiences etc.

 

I have used a kick in particular which is very strong and powerful, but I’ve not used it regularly. Ive only used it when I want the listener to be caught of guard so to speak.

I’ve placed it irregularly along the timeline, so that it only comes in at key points through the soundscape such as a change in chapter or an increase in tension.

Much like my sampled eagle cry..  … The overuse of these samples would really diminish the intensity of the soundscape and work perfectly at luring the listener into a false sense of security with all the exotic and peaceful ambiences, only to be reminded that there is still the element of unpredictability about. After all, this is still the Middle East.